No Doubt's most underrated album. Tragic Kingdom may have helped revitalize ska, but this 1995 album was the beginning of what No Doubt could have accomplished. Though this came out first, it sounds almost like a Tragic Kingdom deepcuts album. Lyrically, this album is a bit more basic; with Gwen singing mainly about love, fake people, and the realization that she needs/deserves better for herself. You're going to find your vintage Gwen Stefani ska ballads ('Stricken', 'Greener Pastures'), but that's to be expected when you're listening to a No Doubt album.
The Beacon Street Collection shows off No Doubt's range as musicians (from 'Open The Gate' - a pop-infused Ska song, to 'Total Hate 95' - a mix of 90s thrash ska with a melody during the breakdowns, to 'Snakes' - a heavier ska song with a grungier sound). Unlike most albums that are considered deepcuts, you could play this for a generic music fan and they would most likely find a couple songs they enjoy. While this album will never be considered a classic, it's very much overlooked and deserves to be recognized as one of No Doubt's most complete productions.
. ' Released: May 12, 1994. 'Doghouse' Released: January 12, 1995 The Beacon Street Collection is the second by American rock band, released in March 1995. It was released independently by the band under their own record label, Beacon Street Records. It was produced by No Doubt themselves and recorded in a homemade recording studio in the garage of their house on Beacon Avenue in, from which the album takes its name.
Additional recording and mixing were done at Clear Lake Audio in North Hollywood, California with engineer Colin 'Dog' Mitchell. The album was released during a time in which the band were receiving little attention from their record label, and were not getting a chance to record a second album.
Interscope were disillusioned with the band after the commercial failure of their first album,. No Doubt had written large numbers of songs and knew that they would not make it onto any Interscope album, so they built their own studio and recorded the album there. Two singles were released from it: ' and 'Doghouse' on 7-inch vinyl. The album sold over 100,000 copies in 1995, over three times as many as their first album sold. This success ensured that Interscope financed the band's third album, which was a massive success, selling 16 million copies worldwide and attracting extensive interest in the band.
The Beacon Street Collection was re-released in 1997 as part of the band's back catalog. Contents. Background No Doubt released in 1992, a year after being signed to.
The group's blend of upbeat brass-dominated songs and funk-style bass riffs came at a time when most of the United States was in the thrall of, a genre whose angst-ridden lyrics and dirty sound could not have contrasted more with the atmosphere of most of the songs on No Doubt's pop-oriented album. Not surprisingly, the band lost out to the now-ubiquitous grunge music and the album was a commercial failure, with only 30,000 copies sold. In the words of the program director of, a radio station on which it was one of the band's driving ambitions to be played: 'It would take an act of God for this band to get on the radio.' The band started to work on its second album in 1993 but Interscope, having lost faith in the band, rejected most of its material and so it was paired with producer.
Eric Stefani did not like to relinquish creative control to someone outside the band and eventually stopped recording or rehearsing. He left No Doubt in 1994 to pursue an animation career on the. Kanal then ended his seven-year relationship with Gwen, saying that he needed 'space'. Music A large number of songs on The Beacon Street Collection were written by, who left the group before their third album was recorded. This gave the album a similar sound to their first album, No Doubt, in which Eric Stefani had collaborated in the writing of all the songs.
Because the lyrics in were written mainly by about her experiences in life, the style of music changed from what No Doubt had previously produced. Pc98 games screenshot project. Explained the change in sound in an interview for Backstage Online: 'Well, there is a reason that the sound of our music has changed and it's not because we've sold out, easy for me to say.
Eric, our keyboard player used to write most of our songs. He was the main creative force in the band for many years. And at a certain point after that first album came out, he had this personal thing, like he didn't like touring, he didn't like all that stuff. He just liked to sit down and write songs. He's the artistic side, the total Mr.
Well what happened is when Eric decided to leave the band it left the song writing to us, me, Gwen, Tony, the rest of us and it's a really natural thing for our song writing style to be different than Eric's. Just we're different people. I mean we've learned a lot from him and he taught us a lot of things about song writing, but we write simpler music. We have a simpler style. We're not quite Genius like him I think. This album was our first attempt.
It was Gwen's first time really writing all the lyrics herself so to me, it went the opposie from selling out we have done something that is even more personal. In the past, Eric was writing songs about his life and having Gwen sing them. Now we have Gwen singing and writing about her own experiences.' Production No Doubt became frustrated at the lack of progress they were making with Interscope, who were proving unreliable in their support of the band. Instead, they built their own studio in their garage on Beacon Avenue in, Although the band had knowledge that they didn't want any songs to be released in an Interscope-distributed album, they recorded The Beacon Street Collection in their studio and Clear Lake Audio in one long weekend. Their independence shocked their company representative, Tony Ferguson, who had assumed they were recording a third single. The album's first single, self-released by the band in 1994.
Problems playing this file? In 1994, before recording of the album had even begun, No Doubt released two seven-inch singles for their fans.
The first was ', a song written by Eric Stefani, detailing a criminal's reaction to her partner's betrayal to the police. They had agreed to be 'in this together' but, after he ', she resolves to 'kill the who wrote it and said it that she was guilty of a crime'. The single's was 'My Room Is Still Clean', written by and recorded live at the Icehouse in on February 13, 1993. The second single was 'Doghouse', written by Eric Stefani. It is about a man who is bullied and dominated by his girlfriend and is unwilling to force the situation to change.
The song uses the metaphor of a dog and its master to illustrate the nature of the relationship, saying that she had got him 'by the reins' and he has been ' by her. The single's B-side was 'You Can't Teach an Ol' Dog New Tricks', written by Eric Stefani. Reception Professional ratings Review scores Source Rating B− Rock Lists Significance On its original release in March 1995, The Beacon Street Collection was only available in local record stores in and at No Doubt's shows.
Its rawer sound proved popular with the band's fans and the band's first batch of one thousand copies sold out within only a few months after its release. Interscope realized the band's potential and allowed them to record their third album, in various, 'wherever they could get a deal on a studio'. During a recording session, the band was introduced to Paul Palmer, who was interested in mixing the new album. He owned his own record label, which was associated with Interscope. Interscope willingly sublicensed the project to Trauma Records in 1995 and Tragic Kingdom got the personal focus that comes from a small company.
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By the end of the year, 100,000 copies of The Beacon Street Collection had been sold, over three times as many as their first album, No Doubt. These sales were mostly due to the release of Tragic Kingdom, which was released seven months after The Beacon Street Collection in October 1995. Tragic Kingdom was a massive commercial success, reaching sales of over 10 million in the United States and 16 million worldwide, peaking at number one on several charts and being Diamond (10,000,000 units) in the US and Canada and Platinum in the UK and Australia. This success created an extensive interest in the band's back catalog so, in October 1997, The Beacon Street Collection was re-released on Interscope. In an interview with Axcess Magazine in April 1996, Gwen Stefani described the release of The Beacon Street Collection as 'one of the best things they ever did because they were able to take some songs that would have probably gotten lost and document them'. Critical called the album 'finer than the band's debut', and described it as containing more of a 'raw sound inspired.
by punk' than the style of No Doubt's first album, which was heavily ' and '., in 1997, called it 'more focused than Tragic Kingdom' with ' frat-house grooves and perky horns', and complimented 's feisty Kewpie-doll wail' and the 'swaying ballads', attributing it to 'the band's willing spirit'. Rock on the Net retrospectively called the album 'a raw expression of their sound' and describing it as '80s with 90s grunge. Track listing No. Title Writer(s) Length 1.
'Open the Gate' Eric Stefani, Gwen Stefani, Tom Dumont, Tony Kanal, Adrian Young 3:40 2. 'Blue in the Face' E.
Stefani 4:35 3. 'Total Hate '95' (featuring of ), Chris Leal, Gabriel Gonzalez, 3:18 4. 'Stricken' E. Stefani, Kanal, G.
Stefani, Dumont 4:06 5. 'Greener Pastures' Kanal, G. Stefani 5:05 6.
'By the Way' Dumont, G. Stefani 4:29 7. 'Snakes' Kanal, G. Stefani 4:37 8. 'That's Just Me' Eric Keyes, E. Stefani 4:08 9. Stefani 2:38 10.
'Doghouse' E. at. Vineyard, Jennifer. 2008-12-03 at the.
February 26, 1998. Retrieved August 31, 2008. ^ 2009-02-23 at the. From 's official website. April 2, 2000. Retrieved May 3, 2007.
'No Doubt'. April 9, 2000.
Born to Be. Original airdate: March 2006.
Retrieved November 13, 2006. by Evan Zelig for Backstage Online on October 31, 1996. ^, conducted by Wendy Hermanson for BAM magazine on November 17, 1995, archived on 's official website. Retrieved August 26, 2008. April 19, 2008, at the. by Robert Kinsler for on December 15, 1995.
Retrieved August 31, 2008. from their official website. ^ 2008-11-04 at the. At 's official website.
^. ^. Sandler, Adam. May 28, 1997. Retrieved December 30, 2006.
Van Meter, Jonathan. (April 2004).
Retrieved from July 1, 2007. May 1, 2010, at the.
May 28, 2008, at the. interview with Axcess Magazine on April/May 1996.
External links.
Written by Eric Stefani Just like a bee rushing to a comb of honey Why can't you see you look so very funny? Written by John Spence, Chris Leal, Gabriel Gonzalez, Bradley Nowell You're livin' your life without a care in the world That's the way it should be What's life like in a candy swirl? What's life like to me? Everyone is slowing down Look once at life on the ground You all are the people, they're runnin' around Not making a sound Total hate!
You're movin' along, just goin' your own way Don't try to change You're jumpin', you're runnin', you learn to play Never try to rearrange You're getting tired and starting to drag Slowing down and that's sad You're walkin' around, you're being a skag Huh - well that's not my bag Total hate! Bradley/Gwen You don't even know me so don't hate me Sublime rockin' No Doubt stylie We do it Monday and on Friday Total hate, total hate Get back to the show cause it's payday 11 o'clock, roll, roll it down You're so fake, you make me shake Rock the city with the number one sound Your faded face is so irate Long beat, long beach and it feels so fine You share with none, you have no one Rock this shit straight back to Anaheim You're living your life in total hate Total hate! Written by Tony Kanal, Gwen Stefani You're always tellin' me to go out more Go ahead, get out and see the world But then I think, why should I?
I'd rather stay home and cry I never thought that I could be your girl The other way like the other ones Let me open wide, let you see inside And then you might agree Would you say they find me unstable? Cause they see me act a little bit different But I know my way to greener pastures and Think about it, won't you think it over, please? Without you I can move Well, I can stretch my arms out, I can feel it And when I'm in my room alone, I feel good Because I don't have to deal with you or the outside world Would you say they find me unstable? Cause they see me act a little bit different But I know my way to greener pastures and Think about it, won't you think it over, please?
I guess I'll get over it Ooh, I guess I'll get over it I guess I'll get over it I guess I'll get over it Would you say they find me unstable? Cause they see me act a little bit different But I know my way through greener pastures Would you say they find me unstable?
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Cause they see me act a little bit different But I know my way through greener pastures Would you say they find me unstable? Cause they see me act a little bit different But I know my way through greener pastures Greener pastures See me act a little bit different But I know my way through greener pastures. 6. Written by Eric Stefani I can't begin to tell you How bad I feel about it So now that it is all out How do you feel? Did you profit?
Why can't you keep a secret? Why'd you squeal?
I thought that I could trust you Why'd you squeal? I thought we had agreed That we were in this together But now that you have betrayed me I got no other option Why can't you keep a secret? Why'd you squeal? I thought that you were private It's a tea party and you're all invited To kill the narc who wrote it and said it You can always smell a stinkin' tattletale Come out of a shell I think so they can break the link When everyone knows it squeals and that is just as well A kiss of death goes out to those who rat and fink Why'd you squeal?
The Beacon Street Collection
But I can't begin to tell you How bad I feel about it, hey Why can't you keep a secret? Why'd you squeal? I thought that I could trust you Why’d you squeal? It's a tea party and you're all invited To kill the narc who wrote it and said it You dirty rat I can't begin to tell you How bad I feel about it, hey So now that it is all out How do you feel? Did you profit? Well, tell me all the gossip Why'd you squeal?
I hear the leaky faucet It's a tea party and you're all invited To kill the narc who wrote it and said it Kill the narc who wrote it and said it Who's the narc who wrote it and said it? All rights reserved to the original copyright owners. If any media or other content on this site belongs to you and you wish for it to be removed, please contact me and it will be done immediately. Additionally, if you merely wish for a written credit to be added to content of yours, that will also be done. No copyright infringement is intended. Credit to teamblakegwen, greenerpastures, beaconstreetonline, doghousegallery, eitmedia, and lamb83 for originally making much of this audio and visual material available.
Material Type: Music Document Type: Sound Recording All Authors / Contributors: OCLC Number: 37938487 Notes: 'Reissue of No Doubt's independent 1995 release'-Insert. Credits: Produced by the group. Performer(s): Performed by No Doubt; with instrumental acc. Event notes: Recorded 1993-1995 over 3 separate sessions.
Description: 1 audio disc: digital; 4 3/4 in. Contents: Open the gate - Blue in the face - Total hate 95 - Stricken - Greener pastures - By the way - Snakes - That's just me - Squeal - Doghouse. Responsibility: No Doubt.
Material Type: Music Document Type: Sound Recording All Authors / Contributors: OCLC Number: 37938487 Notes: 'Reissue of No Doubt's independent 1995 release'-Insert. Credits: Produced by the group. Performer(s): Performed by No Doubt; with instrumental acc.
Event notes: Recorded 1993-1995 over 3 separate sessions. Description: 1 audio disc: digital; 4 3/4 in. Contents: Open the gate - Blue in the face - Total hate 95 - Stricken - Greener pastures - By the way - Snakes - That's just me - Squeal - Doghouse. Responsibility: No Doubt.